A sample report, start to finish
This is exactly what the paid reports contain, section for section, as you would see them after buying. Each one also downloads as a 3-page PDF.
Sample. The numbers come from a synthetic set of face landmarks and a fixed color reading, run through the same report generator a buyer gets. There is no real person and no photo behind it. Your report uses your own measurements.
The face report · $9.99
Oval face
Longer than wide, with a gently narrower jaw.
| Face length | 243 mm | Hairline to chin |
|---|---|---|
| Forehead width | 164 mm | Across the upper forehead |
| Cheekbone width | 172 mm | The widest point of the face |
| Jaw width | 138 mm | Corner to corner at the jaw |
| Jawline angle | 91 degrees | At the chin, between the two jaw lines |
Symmetry
88 / 100
Facial thirds
76 / 100
Golden ratio
93 / 100
What your numbers say
- Length to width
- 1.41
- Forehead to cheek
- 0.95
- Jaw to cheek
- 0.80
- Symmetry index
- 88 / 100
- Facial thirds
- 76 / 100
- Golden-ratio closeness
- 93 / 100
- Thirds, top to bottom
- 33% · 29% · 38%
- Left and right difference
- 2.4% · 0.0%
Face length divided by cheekbone width. The first number the shape rule reads.
Below 1.0 means the cheekbones are the wider line.
Above 0.94 means the jaw holds its width.
Ten mirrored landmark pairs, scaled by the pupil distance.
How evenly the hairline, brow, nose base and chin divide the face.
How close two width ratios sit to 1.618.
Hairline to brow, brow to nose base, nose base to chin, as shares of face length. Even thirds are about 33% each.
Mean mirrored difference across and up and down, as a share of the pupil distance. Lower means closer to a mirror image.
Hairstyles for women
Where the length and the volume sit, and why that balances your proportions.
Long layers with a side part
A side part and long layers from the collarbone down keep the natural balance and add movement. This is the lowest-risk choice for an oval face.
Blunt collarbone bob
A blunt cut at the collarbone adds width at the jaw and makes the face look slightly shorter. It is a strong, deliberate shape rather than a soft one.
Textured pixie
A pixie with texture on top and a soft side shows the cheekbones and the jaw. Keep a little length at the temple so the forehead does not look bare.
Hairstyles for men
Cuts chosen by where the volume lands rather than by trend.
Classic side part
A side part with a clean taper is the most reliable cut on an oval face. It adds a diagonal across the forehead and keeps the outline tidy.
Textured crop
A short crop with texture on top is easy to style and shows the face. Keep the bangs piecey rather than straight.
Quiff
A quiff adds height and a little drama. On an oval face it lengthens the outline slightly, which is fine as long as the sides stay neat.
Glasses frames
Frames that add the line your face does not already have.
Rectangle
A rectangle adds structure to a soft oval. Choose a frame that sits just past the cheekbones so the face does not look narrow.
Round frame
A round frame softens the face and suits a vintage look. A medium size works better than a small circle.
Browline
A browline adds a strong horizontal line at the top and draws attention to the eyes. It is a good choice if you want a more defined look.
Eyebrow shape
Arch height, thickness and tail length for your face.
Soft angled arch
Follow the natural brow line and add a gentle angle above the outer third of the eye. The shape should look like the brow you already have, tidied.
Natural fullness
Keep the brow as full as it grows. An oval face carries a full brow well, and over-plucking changes the balance for no benefit.
Gentle taper
Narrow the tail gradually towards the temple. A blunt end looks heavy on an oval face.
Beard shapes
Where to add weight along the jaw and where to take it away.
Short boxed beard
A boxed beard with a clean cheek line and a squared bottom is the most reliable option. It adds definition without changing the shape much.
Full beard
An oval face can carry a full beard well. Keep the sides and the chin balanced so the beard does not change the proportions.
Heavy stubble
A few days of growth with a tidy neck line is the lowest-maintenance option and suits almost any oval face.
The color report · $12.99
Soft Autumn
Warm, dusted down, easy to live in.
Why you read as Soft Autumn
- Undertone
- warm, warmth +0.38
- Depth
- medium, 0.55
- Clarity
- soft, 0.22
- Your samples
- #E0B79A · #6B4A32 · #5B6B4A
On a scale from -1 (cool) to +1 (warm), from your samples and the vein, metal and sun answers.
From 0 (light) to 1 (deep), from how light or dark your hair, skin and eyes read.
From 0 (soft) to 1 (bright), set by the contrast between your hair, skin and eyes.
Skin, hair and eyes, as the colors your photo gave. The photo itself is not kept.
Colors to leave out
- Fuchsia. Too bright and too cool. It makes muted warm skin look gray.
- Icy Blue. The cold pastel fights the warmth that holds this palette together.
- Pure White. Cream does the same job without the glare that flattens soft features.
- Black. A softer dark, such as chocolate or muted teal, keeps the outfit in the palette.
Brushed gold, bronze and copper. A matte finish suits the palette better than high shine.
Stay in the middle
Soft autumn looks best in medium values. Very light outfits wash out and very dark ones overpower, so keep the main color at camel, olive or terracotta depth.
Let neutrals do most of the work
Camel, cream, taupe and chocolate are the heart of the wardrobe. Add one muted color and stop there.
Choose matte fabrics
Linen, suede, brushed cotton and wool sit naturally in this palette. High-shine satin makes the muted colors look muddy.
Base and cheek
A warm peach or terracotta blush with a soft finish. Avoid cool pink, which reads as a separate layer.
Eyes and lips
Olive, bronze and soft brown on the eyes; a warm nude, terracotta or muted brick lip. Keep it soft rather than sharp.